Yu Jen Taipei Art & Antique Auction | Private Sales

MENU

692 A FINE GOLD AND SILVER-INLAID HAMMERED IRON 'KAGU' VASE
BY KIYOSHIGE
EDO PERIOD

692 A FINE GOLD AND SILVER-INLAID HAMMERED IRON 'KAGU' VASE
BY KIYOSHIGE
EDO PERIOD

H22.5cm | 附合箱

Provenance
Museum 50 of Taiwan Collection

LITERATURE
Meiji Arts–A Consciousness of Inheritance: Selections from the Museum 50 of Taiwan, NTNU Research Center for Conservation of Cultural Relics, 2016, p. 241

With tomobako

Estimates

TWD
1,000,000-1,200,000
USD
31,400-37,700
HKD
250,000-300,000
RMB
227,270-272,730
江戶時代 清茂作 鐵打出金銀象嵌群鷺鶴首瓶
2024 Spring Auction
Auction
Sunday, 26 May 2024 4:00pm
Preview
18-24 May 10:00am-6:00pm
25 May 10:00am-4:00pm
Venue
7F., No.15, Sec. 2, Chongqing S. Rd., Zhongzheng Dist., Taipei, Taiwan
Contact:
+886-2-2358-1881
art@yu-jen.tw
 

Lot Overview

瓶銀胎,胎質細膩光亮,敞口,束頸,頸細而長,圓鼓腹,圈足。日本稱此種器頸 細而修長,器腹豐滿圓鼓的器形為「鶴首瓶」。瓶外通體包覆一層鐵,質地細緻, 色澤沉穩。瓶腹以金、銀象嵌鷺鷥圖,一面四隻鷺鷥矗立於於溪水中,或緊縮全 身,或眺望遠方,姿態靈巧生動,溪水中幾縷細草竄出,畫面清幽;另面一隻鷺鷥 展翅於水面低飛,畫面構圖富有張力。整體造型規整俊秀,璀璨的金、銀嵌於樸實 鐵質,於典雅中增添光輝,甚為別緻而獨特。

鐵包銀是鐵打出中的特殊技法,先將銀鎚起成形,再依照銀瓶比例鎚起鐵,使其緊 密結合,非常考驗金工師的耐力和技術。因兩種材質軟硬程度相異,薄鐵塊必須經 過精細搥打及施加,方可令銀胎造型完滿,無損無凹,因此鐵包銀瓶成形難度極 高,在金工史上是一門非常高深之技術,其作品存世罕見。
TOP